| W.XII.1 |
Alleluia! Sing to Jesus.
For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part
11, Willem Mudde, ed., 1966.
Composed in 1965. Setting of the tune Hyfrydol.
Alternate author: Pritchard, Rowland Hugh (1811-1887).
CPH # 97-4758; pages 36-37.
Collection holds (Box 4):
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.2 |
At the Name of Jesus.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 15: Lesser Festivals; Herbert Gotsch, ed., 1983; previously
in Preludes for Hymns in Worship Supplement, Vol. 2, 1972.
Composed in 1972. Setting of the tune King's Weston. Includes intonation
by Herbert Gotsch.
Alternate authors: Gotsch, Herbert (1926-1984) and Ralph Vaughan Williams
(1872-1958).
CPH # 97-5706, pages 10-11 [previously 95-5035].
Collection
holds (Box 4):
1 copy unbound original manuscript
3 copies published photocopy
1 copy published copy, in collection (also published copy for XII.13,
below) |
| W.XII.3 |
Before Thy Throne, O God, We Kneel.
For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part
12, Willem Mudde, ed., 1966.
Composed in 1965. Setting of the tune St. Petersburg.
Alternate author: Bortnianski, Dimitri Stepanovich (1751-1825).
CPH # 97-4759; pages 36-37.
Collection holds (Box 4):
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.4 |
Blessing and Honor.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 15: General; Herbert Gotsch, ed., 1983.
Composed in 1983. Setting of the tune American Hymn. Includes intonation.
Alternate author: Keller, Matthias (1813-1890).
CPH # 97-5710; pages 44-45.
Collection holds (Box 4):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.5 |
Christ Jesus Lay in Death's Strong Bands.
For Org.
Composed in 1954 as a liturgical cantata for SATB, soli, and strings
or SATB, soli, and organ (IV.7, above). Arranged as chorale partita
for organ, 1954. Setting of the tune Christ lag in Todesbanden. In six
sections. Dedicated to William Eifrig.
Duration: 7'45".
1st performance: William Eifrig, org, at Trinity Lutheran Church, Valparaiso,
Indiana, April 22, 1979.
E.C.S. Publications # 5513.
Collection holds (Box 4):
2 copies unbound manuscript photocopy (with some original markings)
3 sheets commentary on work |
| W.XII.6 |
The Clouds of Judgment Gather.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 23: General, Herbert Gotsch, ed., 1983.
Composed in 1983. Setting of the tune Durrow. Includes intonation.
CPH # 97-5738; pages 38-39.
Collection holds (Box 4):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.7 |
Come Rejoicing, Praises Voicing.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 3: Christmas; Herbert Gotsch, ed., 1983.
Composed in 1979. Setting of the tune Cas radosti. Includes intonation.
CPH # 97-5538; pages 8-9.
Collection holds (Box 4):
1 copy unbound original manuscript
2 copies published photocopy
1 copy published copy, in collection |
| W.XII.8 |
Entrust Your Days and Burdens.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 27: General; Herbert Gotsch, ed., 1984.
Composed in 1984. Setting of the tune Herzlich tut mich verlangen. Also
set in canonic style
(XII.28, below). Includes intonation.
Alternate author: Hassler, Hans Leo (1534-1612).
CPH # 97-5742; pages 20-21.
Collection holds (Box 4):
1 copy published photocopy
1 copy published copy, in collection
1 copy unbound manuscript photocopy |
| W.XII.9 |
Father Eternal, Ruler of Creation.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 30: General; Herbert Gotsch, ed., 1984.
Composed in 1984. Setting of the tune Langham. Includes intonation.
Alternate author: Shaw, Geoffrey (1879-1943).
CPH # 97-5745; pages 16-17.
Collection holds (Box 4):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.10 |
Father Most Holy.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 13: Pentecost/Trinity; Herbert Gotsch, ed., 1983.
Composed in 1982. Setting of the tune Christe Sanctorum. Includes intonation.
CPH # 97-5620; page 23.
Collection holds (Box 4):
1 copy unbound manuscript photocopy
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.11 |
Fugue :
for Organ.
Composed in 1946. Student work with Leo Sowerby at the American Conservatory
of Music, Chicago.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound original working manuscript |
| W.XII.12 |
God of Grace and God of Glory.
For Org.
Composed c.1969. Setting of the tune Cwm Rhondda.
Alternate author: Hughes, John (1873-1932).
Collection holds
(Box 5):
1 copy unbound original manuscript, pencil copy
1 copy unbound original manuscript, pen copy
1 copy unbound manuscript photocopy |
| W.XII.13 |
Greet Now the Swiftly Changing Year.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 15: General; Herbert Gotsch, ed., 1983.
Composed in 1983. Setting of the tune Rok novy. Includes intonation.
CPH # 97-5706; page 27.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy published photocopy (published copy with XII.2, above) |
| W.XII.14 |
Holy Spirit, Ever Dwelling.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 12: Ascension/Pentecost; Herbert Gotsch, ed., 1983.
Composed in 1981. Setting of the tune In Babilone. Includes intonation.
CPH # 97-5619; pages 30-31.
Collection holds (Box 5):
1 copy unbound manuscript photocopy
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.15 |
I Know That My Redeemer Lives.
For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part
One; Heinrich Fleischer, ed., 1953. Republished by the United Church
of Christ in Japan for new hymnal series, 1997.
Composed in 1953. Setting of the tune Duke Street. Includes intonation.
Alternate author: Hatton, John (attr.) (d.1793).
1st performance: Heinrich Fleischer, organ, at Bethlehem Lutheran Church,
September 1, 1953.
CPH # OC 331; pages 40-41. Page 23 in Japanese edition.
Collection
holds (Box 5):
1 copy published photocopy
1 copy each of both published copies, in collection |
| W.XII.16 |
Jesus, I Will Ponder Now.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 8: Lent; Herbert Gotsch, ed., 1982.
Composed in 1980. Setting of the tune Jesu Kreuz, Lieden und Pein. Includes
intonation.
Alternate author: von Birken, Sigismund (1621-1681).
CPH # 97-5615; pages 8-9.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
3 copies published photocopy
1 copy published copy, in collection (also published copy for XII.29,
below) |
| W.XII.17 |
Lord Jesus Christ, Thou Hast Prepared.
For Org.
St. Louis, MO: Concordia Publishing House, in Organ Music for the Communion
Service; Paul G. Bunjes, ed., 1956.
Composed in 1955. Setting of the tune Herr Jesu Christ, du hast bereitt.
Chorale partita. In four sections.
Alternate author: Sohren, Peter (c.1630-1692).
CPH # 97-1395; pages 25-29.
Collection holds (Box 5):
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.18 |
Make Songs of Joy.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 11: Easter; Herbert Gotsch, ed., 1982.
Composed in 1980. Setting of the tune Zpinvejmez vscikni vesele. Includes
intonation.
CPH # 97-5618; pages 50-51.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.19 |
O Chief of Cities, Bethlehem.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 6: Epiphany; Herbert Gotsch, ed., 1982.
Composed in 1979. Setting of the tune Truth from Above. Includes intonation.
CPH # 97-5612; page 33.
Collection holds (Box 5):
1 copy unbound original manuscript
2 copies published photocopy
1 copy published copy, in collection |
| W.XII.20 |
O Trinity, Most Blessed Light.
For Org.
Composed in 1956. Setting of the tune O Heilige Dreifaltigkeit.
Alternate author: Herman, Nikolaus (c.1480-1561).
Collection
holds (Box 5):
1 copy unbound manuscript photocopy |
| W.XII.21 |
Oh, Blest the House.
For Org.
Minneapolis, MN: Augsburg Fortress Publishers, 1981. Copyright reassigned
to composer.
Composed in 195?. Setting of the tune Wo Gott zum Haus. Also arranged
for string quartet
(IX.13, above). Chorale partita. In four sections.
1st performance: Philip Gehring, organ, at the wedding of Hans and Barbara
Wessel.
E.C.S. Publications # 5586.
[Augsburg # 11-9325.]
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound original working manuscript
1 copy unbound original manuscript sketches, bicinia section (four sheets)
4 copies unbound manuscript photocopy
2 copies published copy |
| W.XII.22 |
Passacaglia :
for Organ.
Composed in 1947-8. Student work with Herbert Elwell at the Eastman
School of Music, Rochester, New York.
Duration: 11'.
Collection holds (Box 5):
1 copy unbound original manuscript |
| W.XII.23 |
Praise, My Soul [the King of Heaven].
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 36: General; Richard Hillert, ed., 1985.
Composed in 1985. Setting of the tune Praise, My Soul. Includes intonation.
Alternate author: Goss, John (1800-1880).
CPH # 97-5751; pages 10-11.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.24 |
Processional.
For Org.
Composed in 1964 for SATB chorus, percussion, and organ, in A Choral
Matins (IV.5, above) . Arranged for organ, 1986. Part of the Pacific
Lutheran Reformation Vespers Service.
1st performance: Philip Gehring, organ, at the University of Chicago
Reformation Service.
Collection holds (Box 5):
1 copy original working manuscript
2 sheets original working manuscript
1 copy original manuscript
4 copies unbound manuscript photocopies |
| W.XII.25 |
Recessional.
For Org and Hb.
Composed in 1964 for SATB chorus, percussion, and organ, in A Choral
Matins (IV.5, above) . Arranged for organ, 1986. Part of the Pacific
Lutheran Reformation Vespers Service.
1st performance: at the Pacific Lutheran Reformation Vesper Service.
Collection holds (Box 5):
1 copy unbound original manuscript
2 copies manuscript photocopy |
| W.XII.26 |
Reflection and Celebration.
For Org.
Chapel Hill, NC: Hinshaw Music, 1975. Copyright reassigned to composer,
2000.
Composed in 1974. Dedicated to M. Alfred Bichsel.
1st performance: Kent Hill, organ, on the occasion of M. Alfred Bichsel's
retirement, April 19,
1975, at the Lutheran Church of the Incarnate Word, Rochester, NY.
E.C.S. Publications # 5700.
[Hinshaw Music # HMO-113.]
Collection holds (Box 5):
1 copy unbound manuscript mimeocopy
1 copy published version
Copy of The American Organist, Vol. 13, No. 4 (April 1979); on page
17 are detailed the
errata in the second printing of the piece. Inside the front cover,
two loose-leaf pages of the composer's tallying of the publisher's errata
in the printing.
Several dozen sheets of manuscript, working scores, including tone row
configuration |
| W.XII.27 |
Sarabande.
For Org.
Composed in 1946. Student work with Leo Sowerby at the American Conservatory
for Music, Chicago.
Duration: 3'15".
Collection holds (Box 5):
1 copy unbound manuscript photocopy |
| W.XII.28 |
Short Prelude in Canonic Style :
on Herzlich tut mich verlangen.
For Org.
Composed c.1973. Tune also set as "Entrust Your Days and Burdens"
(XII.8, above).
Alternate author: Hassler, Hans Leo (1534-1612).
Duration: 1'40".
Collection holds (Box 5):
1 copy unbound manuscript photocopy |
| W.XII.29 |
Stricken, Smitten, and Afflicted.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 8: Lent; Herbert Gotsch, ed., 1982.
Composed in 1980. Setting of the tune O mein Jesu, ich muss sterben.
Includes intonation.
CPH # 97-5615; pages 30-31.
Collection holds (Box 5):
1 copy unbound manuscript photocopy
1 copy published photocopy (published copy with XII.16, above) |
| W.XII.30 |
Take Thou My Hands and Lead Me.
For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part
9: Wedding Music; Thomas Gieschen, ed., 1962.
Composed in 1962. Also set in D major (XII.30.ii, below). Setting of
the tune So nimm denn meine Hande.
Alternate author: Silcher, Friedrich (1789-1860).
CPH # 97-1445; pages 22-23.
Collection holds (Box 5):
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.30.ii |
Lord, Take My Hand and Lead Me.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 38: General; Richard Hillert, ed., 1986.
Composed in 1962 in E-flat major (XII.30, above). Reset in D major with
intonation by Richard Hillert in 1986. Setting of the tune So nimm denn
meine Hande.
Alternate authors: Hillert, Richard W. (b.1923) and Friedrich Silcher
(1789-1860).
CPH # 97-5856; pages 34-35.
Collection holds (Box 5):
1 copy published copy, in collection |
| W.XII.31 |
Three Tricinia Settings of Chorale Preludes
in Canonic Style :
(originally titled Two Tricinia Settings of Chorale Preludes in Canonic
Style).
For Org.
Composed in 1957. Third prelude added in 1983.
Alternate authors: Decius, Nikolaus (c.1485-1546), and Heinrich Isaac
(1450-1517).
Includes:
I - O Lamm Gottes
II - O Welt, ich muss dich lassen
III - Christ ist erstanden
Duration: 4'.
Collection holds (Box 5):
1 copy unbound original manuscript, first and second preludes
1 copy manuscript photocopy, third prelude |
| W.XII.32 |
Variations on Creator of Infinities.
For Org.
Minneapolis, MN: Augsburg Fortress Publishers, 1979. Copyright reassigned
to composer.
Composed in 1979.
Alternate author: Hanson, Howard (1896-1982).
Commissioned by the Rochester, New York chapter of the American Guild
of Organists.
1st performance: David Craighead, organ.
E.C.S. Publications # 5595.
[Augsburg # 11-9514.]
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy unbound original working manuscript
1 copy published copy, in collection |
| W.XII.33 |
We Praise You, Lord.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 16: Baptism/Holy Communion; Herbert Gotsch, ed., 1983.
Composed in 1983. Setting of the tune St. Magnus. Includes intonation.
Alternate author: Clarke, Jeremiah (c.1669-1707).
CPH # 97-5707; pages 36-37.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.34 |
We Worship You, O God of Might.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 40: General; Richard Hillert, ed., 1986.
Composed in 1985. Setting of the tune Vi lova dig, o store Gud. Includes
intonation.
CPH # 97-5858; pages 28-29.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy published copy, in collection |
| W.XII.35 |
When Morning Gilds the Skies.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 35: General; Richard Hillert, ed., 1985.
Composed in 1985. Setting of the tune O Seigneur. Includes intonation.
CPH # 97-5750; pages 12-14.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy published photocopy
1 copy published copy, in collection |
| W.XII.36 |
Your Kingdom Come, O Father.
For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude
Series, Volume 33: General; Richard Hillert, ed., 1985.
Composed in 1985. Setting of the tune Noornarkku. Includes intonation.
CPH # 97-5748; pages 38-39.
Collection holds (Box 5):
1 copy unbound original manuscript
1 copy unbound manuscript photocopy
1 copy published copy, in collection |
