Note about the catalog: Each classification number is preceded by a W, which stands for Wienhorst. Therefore, within the catalog, the W is not significant.

W.X.1

The Grackle and the Goldfinch

For 2 Dancers, Pf, Fl, and Bsn.

Composed in 1987. Also arranged for dancers and piano (X.1.ii, below).

Duration: 6'30"
1st performance: Bethyne Emery, piano, Daryl Lab, bassoon, and Pam Fickenscher, flute; with University of Arizona dancers Jory Hancock and Melissa Lowe (Nina Janik, choreographer) at the Valparaiso University Union for the University Romance and the Arts Festival, February 12, 1988.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
  • 1 copy unbound manuscript photocopy, set of parts
W.X.1.ii

The Grackle and the Goldfinch

For 2 Dancers and Pf.

Composed in 1987 for piano, flute, and bassoon (X.1, above). Arranged for piano, 1987.

Duration: 6'30"

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, piano score
W.XI.a.1

Bolero

For ASax and Pf.

Composed in 1950.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
  • 1 copy unbound manuscript photocopy, alto saxophone part
W.XI.b.1

Rhapsody

For Bsn and Pf.

Composed in 1949. Written for bassoonist Dall Fields.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
  • 1 copy unbound manuscript photocopy, bassoon part
W.XI.c.1

Sonata for French Horn and Piano

For Hrn and Pf.

Composed in 1948. In three movements.

Movements:

  • I - Fast
  • II - Moderately slow
  • III - Fast
Duration: 20'30"
1st performance: Sue Stonebraker, horn, and Newman Powell, piano.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
  • 1 copy unbound manuscript photocopy, horn part
W.XI.d.1

Enigma and Paradox

For AFl and Pf.

Composed in 1984. In two sections.

Sections:

  • Recitative
  • Allegro
Duration: 5'40"
1st performance: Mary Louise Poor, alto flute, and Linda Ferguson, piano, chamber concert in the Gloria Christi Chapel, October 25, 1984.
Publisher: E.C.S. Publications # 5553.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
W.XI.d.2

Improvisation

For Fl.

Composed in 1959. Written for Danforth Camp.

1st performance: Danforth Camp, at Service on the Dunes, for Danforth Fellows.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy
W.XI.d.3

Pentecost

For Fl and Pf.

Composed in 1992 for violin and organ (XI.i.1, below). Freely arranged for flute and piano, 1992. Also arranged for oboe and piano (XI.f.2, below) and for oboe and organ (XI.f.2.ii, below).

Collection Holdings (Box 4)

  • 1 copy unbound printed copy, full score
  • 1 copy unbound printed copy, flute part
W.XI.e.1

Introduction, Meditation, and Dance

For Hp.

Composed in 1983. In three sections.

Duration: 6'30"
1st performance: Martha Burwell, harp, at the University of Illinois at Urbana-Champaign, September 30, 1984.
Publisher: E.C.S. Publications # 5555.

Collection Holdings (Box 4)

  • 1 copy bound manuscript photocopy
  • 1 program from the premiere performance
W.XI.e.2

Reflections on a Simple Melody

For Hp.

Composed in 1986.

Duration: 10'30"
1st performance: Martha Burwell, harp, at Illinois Wesleyan University.
Publisher: E.C.S. Publications # 5614.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy
W.XI.f.1

Artisitra

For Ob.

Composed in 1980.

Duration: 4'
Publisher: E.C.S. Publications # 5534.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy
  • 1 sheet with the tone row configuration
W.XI.f.2

Pentecost

For Ob and Pf.

Composed in 1992 for violin and organ (XI.i.1, below). Freely arranged for oboe and piano, 1992. Also arranged for oboe and organ (XI.f.2.ii, below), and for flute and piano (XI.c.3, above).

Collection Holdings (Box 4)

  • 1 copy unbound printed copy, full score
  • 1 copy unbound printed copy, oboe part
W.XI.f.2.ii

Pentecost

For Ob and Org.

Composed in 1992 for violin and organ (XI.i.1, below). Freely arranged for oboe and organ, 1992. Also arranged for oboe and piano (XI.f.2., above), and for flute and piano (XI.c.3, above).

Collection Holdings (Box 4)

  • 1 copy unbound printed copy, full score
  • 1 copy unbound printed copy, oboe part
W.XI.g.1

Divertimento

For Pf.

Composed in 1954. In three sections.

Duration: 5'30"
1st performance: Mary Lee Siedentop, piano.
Publisher: E.C.S. Publications # 5543.

Collection Holdings (Box 4)

  • 1 copy bound manuscript mimeocopy
W.XI.g.2

Mirrors

For Pf.

Composed in 1988.

1st performance: William Prante, piano, in Myrtle Beach, South Carolina, 1992.
Publisher: E.C.S. Publications # 5612.

Collection Holdings (Box 4)

  • 1 copy bound manuscript photocopy (includes commentary on work)
W.XI.g.3

Prelude

For Pf.

Composed in 1946. Student work with Leo Sowerby at the American Conservatory of Music, Chicago.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy
W.XI.g.4

Sonata No. 1: in C minor

For Pf.

Composed in 1947. In two movements.

Movements:

  • I - Slowly-Moving
  • II - Very Slowly-Scherzo-Fugue
Duration: 16'30"
1st performance: Florence Peterson, piano.

Collection Holdings (Box 4)

  • 1 copy bound original manuscript
W.XI.g.5

Sonata No. 2

For Pf.

Composed in 195?. In three sections. Dedicated to Sue.

Movements:

  • I - Moderately Fast
  • II - Slowly
  • III - Fast and Energetic
Duration: 15'
1st performance: William Kroeger, piano.

Collection Holdings (Box 4)

  • 1 copy bound manuscript mimeocopy
W.XI.g.6

Sonatina

For Pf.

Composed in 1946. Student work with John Palmer at the American Conservatory for Music, Chicago. In one movement.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
W.XI.h.1

Three Parodies for Trumpet and Piano

Originally titled Divertimento
For Trp and Pf.

Composed in 1957. Revised and retitled, 198?. Also arranged for trumpet and orchestra (VII.9, above) and for band (VIII.6, above). In three sections.

Movements:

  • I - [marcato]
  • II - Slow and Lyric
  • III - March
Duration: 5'30"
1st performance (Divertimento): Gerald Johannig, trumpet, and Lynda Hodgers, piano, May 21, 1957.
1st performance (Parodies): Robert Symer, trumpet, and Melinda Meints, piano, October 13, 1983.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
  • 1 copy unbound manuscript photocopy, trumpet part
W.XI.i.1

Pentecost

For Vn and Org.

Composed in 1992. Also arranged for flute and piano (XI.d.3, above), oboe and piano (XI.f.2, above), and oboe and organ (XI.f.2.ii, above). Dedicated to Glenn Basham.

Commissioned by: Glenn Basham.
1st performance: Glenn Basham, violin, and Richard Resch, organ, in Decatur, Indiana, May 3, 1992.
Publisher: E.C.S. Publications # 5613.

Collection Holdings (Box 4)

  • 1 copy unbound printed copy, full score
  • 1 copy unbound printed copy, violin part
W.XI.i.2

Sonata Movement for Violin and Piano

Originally titled Finale
For Vn and Pf.

Composed in 1951. Originally intended as the third and final movement to "Two Movements for Violin and Piano" (XI.i.3, below).

Duration: 6'
1st performance: John Golz, violin, and Mary E. Golz, piano, at the Palais du Fontainebleau, France.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
  • 2 copies unbound manuscript photocopy, violin part (from different originals)
W.XI.i.3

Two Movements for Violin and Piano

For Vn and Pf.

Composed in 1951. Student work with Harald Genzmer at the Hochschule fuer Musik, Freiburg, Germany. Extant scores are incomplete.

Collection Holdings (Box 4)

  • 2 copies unbound manuscript photocopy, full score (first movement only; ending difficult to interpret)
  • 1 copy unbound manuscript photocopy, violin part (both movements; first movement ending different)
W.XI.j.1

Easter: A Song Cycle

For Mezzo Sop and Hp/Pf.

Composed in 1983. Also arranged for soprano, flute, and harp (IX.4, above). English text from the traditional propers for Easter (I and V) and from the poem Easter (II, III, and IV). In five movements.

Movements:

  • I - Antiphon
  • II - Rise heart; your Lord is risen
  • III - Awake, My Lute
  • IV - Consort Both Heart and Lute
  • V - This is the day which the Lord has made
Alternate author: Herbert, George (1593-1632).
Duration: 9'40"
Commissioned by: The Lutheran School of Theology at Chicago graduating class in memoriam Warren Scherf, classmate.
1st performance: Marcia Lewis, mezzo soprano, and Martha Burwell, harp, at the graduation ceremony, May 30, 1983.

Collection Holdings (Box 4)

  • 1 copy bound manuscript photocopy, full score (includes commentary on work)
W.XI.j.2

Five Blake Settings

For Mezzo Sop and Pf/Hp.

Arranged in 1988 from the Songs of Innocence for SA chorus and harp/piano (IV.18, above), and the Two Blake Settings for unison chorus and harp/piano (IV.20, above). E.C. Schirmer Music Company now holds the copyright over this material.

Movements:

  • I - Introduction
  • II - The Shepherd
  • III - Soft Snow
  • IV - The Lamb
  • V - Spring
Alternate author: Blake, William (1757-1827).
Publisher: E.C.S. Publications # 4749.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
W.XI.j.3

I Will Sing the Story of Your Love, O Lord

Also titled I Will Sing the Story of Thy Love, O Lord
For Mezzo Sop, Fl, and Org.
Springfield, OH: Chantry Music Press, Inc., 1980. Copyright reassigned to composer.

Composed in 1978. Text from Ps. 89:1, Jer. 33:11, and Ps. 100:5. May be performed with unison chorus, flute, and organ.

1st performance: At the wedding of Mike Friesen and Sue Werner, June 17, 1978.
Publisher: E.C.S. Publications # 5644. [Chantry Music Press # VOS 8012.]

Collection Holdings (Box 4)

  • 2 copies published copy, full score
W.XI.j.4

Sonnet: No Longer Mourn

For Mezzo Sop and Pf.

Composed in 1951. Text: Sonnet 71.

Alternate author: Shakespeare, William (1564-1616).
Duration: 4'45"
1st performance: Melanie ____, mezzo soprano, and Stuart Fastovsky, piano, at the Palais du Fontainebleau, France.
Publisher: E.C.S. Publications # 5501.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy, full score
W.XI.j.5

Thou Wilt Keep Him in Perfect Peace

For High Voice and Pf.
St. Louis, MO: Concordia Publishing House, 1980.

Composed in 1979 for unison chorus and keyboard (XIII.g.13, below). Arranged in 1980 for high voice and piano. Also arranged for low voice and piano (XI.j.5.ii, below). Text: Isa. 26:3-4. In F major. Dedicated to Laura and Bob Ure.

Publisher: CPH # 97-5584; also 97-5576, in Seven Wedding Songs, high voice, pages 6-7.

Collection Holdings (Box 4)

  • 1 copy published copy, full score
  • 1 copy published copy, in collection, full score
W.XI.j.5.ii

Thou Wilt Keep Him in Perfect Peace

For Low Voice and Pf.
St. Louis, MO: Concordia Publishing House, 1980.

Composed in 1979 for unison chorus and keyboard (XIII.g.13, below). Arranged in 1980 for low voice and piano. Also arranged for high voice and piano (XI.j.5, above). Text: Isa. 26:3-4. In D major. Dedicated to Laura and Bob Ure.

Publisher: CPH # 97-5585; also 97-5577, in Seven Wedding Songs, low voice, pages 6-7.

Collection Holdings (Box 4)

  • 1 copy published copy, full score
  • 1 copy published copy, in collection, full score