Note about the catalog: Each classification number is preceded by a W, which stands for Wienhorst. Therefore, within the catalog, the W is not significant.

W.XII.1

Alleluia! Sing to Jesus

For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part 11, Willem Mudde, ed., 1966.

Composed in 1965. Setting of the tune Hyfrydol.

Collection Holdings (Box 4)

  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.2

At the Name of Jesus

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 15: Lesser Festivals; Herbert Gotsch, ed., 1983; previously in Preludes for Hymns in Worship Supplement, Vol. 2, 1972.

Composed in 1972. Setting of the tune King's Weston. Includes intonation by Herbert Gotsch.

Collection Holdings (Box 4)

  • 1 copy unbound original manuscript
  • 3 copies published photocopy
  • 1 copy published copy, in collection (also published copy for XII.13, below)
W.XII.3

Before Thy Throne, O God, We Kneel

For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part 12, Willem Mudde, ed., 1966.

Composed in 1965. Setting of the tune St. Petersburg.

Collection Holdings (Box 4)

  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.4

Blessing and Honor

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 15: General; Herbert Gotsch, ed., 1983.

Composed in 1983. Setting of the tune American Hymn. Includes intonation.

Collection Holdings (Box 4)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.5

Christ Jesus Lay in Death's Strong Bands

For Org.

Composed in 1954 as a liturgical cantata for SATB, soli, and strings or SATB, soli, and organ (IV.7, above). Arranged as chorale partita for organ, 1954. Setting of the tune Christ lag in Todesbanden. In six sections. Dedicated to William Eifrig.

Collection Holdings (Box 4)

  • 2 copies unbound manuscript photocopy (with some original markings)
  • 3 sheets commentary on work
W.XII.6

The Clouds of Judgment Gather

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 23: General, Herbert Gotsch, ed., 1983.

Composed in 1983. Setting of the tune Durrow. Includes intonation.

Collection Holdings (Box 4)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.7

Come Rejoicing, Praises Voicing

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 3: Christmas; Herbert Gotsch, ed., 1983.

Composed in 1979. Setting of the tune Cas radosti. Includes intonation.

Collection Holdings (Box 4)

  • 1 copy unbound original manuscript
  • 2 copies published photocopy
  • 1 copy published copy, in collection
W.XII.8

Entrust Your Days and Burdens

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 27: General; Herbert Gotsch, ed., 1984.

Composed in 1984. Setting of the tune Herzlich tut mich verlangen. Also set in canonic style (XII.28, below). Includes intonation.

Collection Holdings (Box 4)

  • 1 copy published photocopy
  • 1 copy published copy, in collection
  • 1 copy unbound manuscript photocopy
W.XII.9

Father Eternal, Ruler of Creation

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 30: General; Herbert Gotsch, ed., 1984.

Composed in 1984. Setting of the tune Langham. Includes intonation.

Collection Holdings (Box 4)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.10

Father Most Holy

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 13: Pentecost/Trinity; Herbert Gotsch, ed., 1983.

Composed in 1982. Setting of the tune Christe Sanctorum. Includes intonation.

Collection Holdings (Box 4)

  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.11

Fugue: for Organ

Composed in 1946. Student work with Leo Sowerby at the American Conservatory of Music, Chicago.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound original working manuscript
W.XII.12

God of Grace and God of Glory

For Org.

Composed c.1969. Setting of the tune Cwm Rhondda.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript, pencil copy
  • 1 copy unbound original manuscript, pen copy
  • 1 copy unbound manuscript photocopy
W.XII.13

Greet Now the Swiftly Changing Year

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 15: General; Herbert Gotsch, ed., 1983.

Composed in 1983. Setting of the tune Rok novy. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy (published copy with XII.2, above)
W.XII.14

Holy Spirit, Ever Dwelling

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 12: Ascension/Pentecost; Herbert Gotsch, ed., 1983.

Composed in 1981. Setting of the tune In Babilone. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.15

I Know That My Redeemer Lives

For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part One; Heinrich Fleischer, ed., 1953. Republished by the United Church of Christ in Japan for new hymnal series, 1997.

Composed in 1953. Setting of the tune Duke Street. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy published photocopy
  • 1 copy each of both published copies, in collection
W.XII.16

Jesus, I Will Ponder Now

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 8: Lent; Herbert Gotsch, ed., 1982.

Composed in 1980. Setting of the tune Jesu Kreuz, Lieden und Pein. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 3 copies published photocopy
  • 1 copy published copy, in collection (also published copy for XII.29, below)
W.XII.17

Lord Jesus Christ, Thou Hast Prepared

For Org.
St. Louis, MO: Concordia Publishing House, in Organ Music for the Communion Service; Paul G. Bunjes, ed., 1956.

Composed in 1955. Setting of the tune Herr Jesu Christ, du hast bereitt. Chorale partita. In four sections.

Collection Holdings (Box 5)

  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.18

Make Songs of Joy

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 11: Easter; Herbert Gotsch, ed., 1982.

Composed in 1980. Setting of the tune Zpinvejmez vscikni vesele. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.19

O Chief of Cities, Bethlehem

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 6: Epiphany; Herbert Gotsch, ed., 1982.

Composed in 1979. Setting of the tune Truth from Above. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 2 copies published photocopy
  • 1 copy published copy, in collection
W.XII.20

O Trinity, Most Blessed Light

For Org.

Composed in 1956. Setting of the tune O Heilige Dreifaltigkeit.

Collection Holdings (Box 5)

  • 1 copy unbound manuscript photocopy
W.XII.21

Oh, Blest the House

For Org.
Minneapolis, MN: Augsburg Fortress Publishers, 1981. Copyright reassigned to composer.

Composed in 195?. Setting of the tune Wo Gott zum Haus. Also arranged for string quartet (IX.13, above). Chorale partita. In four sections.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound original working manuscript
  • 1 copy unbound original manuscript sketches, bicinia section (four sheets)
  • 4 copies unbound manuscript photocopy
  • 2 copies published copy
W.XII.22

Passacaglia: for Organ

Composed in 1947-8. Student work with Herbert Elwell at the Eastman School of Music, Rochester, New York.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
W.XII.23

Praise, My Soul [the King of Heaven]

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 36: General; Richard Hillert, ed., 1985.

Composed in 1985. Setting of the tune Praise, My Soul. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.24

Processional

For Org.

Composed in 1964 for SATB chorus, percussion, and organ, in A Choral Matins (IV.5, above). Arranged for organ, 1986. Part of the Pacific Lutheran Reformation Vespers Service.

Collection Holdings (Box 5)

  • 1 copy original working manuscript
  • 2 sheets original working manuscript
  • 1 copy original manuscript
  • 4 copies unbound manuscript photocopies
W.XII.25

Recessional

For Org and Hb.

Composed in 1964 for SATB chorus, percussion, and organ, in A Choral Matins (IV.5, above). Arranged for organ, 1986. Part of the Pacific Lutheran Reformation Vespers Service.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 2 copies manuscript photocopy
W.XII.26

Reflection and Celebration

For Org.
Chapel Hill, NC: Hinshaw Music, 1975. Copyright reassigned to composer, 2000.

Composed in 1974. Dedicated to M. Alfred Bichsel.

Collection Holdings (Box 5)

  • 1 copy unbound manuscript mimeocopy
  • 1 copy published version
  • Copy of The American Organist, Vol. 13, No. 4 (April 1979); on page 17 are detailed the errata in the second printing of the piece. Inside the front cover, two loose-leaf pages of the composer's tallying of the publisher's errata in the printing.
  • Several dozen sheets of manuscript, working scores, including tone row configuration
W.XII.27

Sarabande

For Org.

Composed in 1946. Student work with Leo Sowerby at the American Conservatory for Music, Chicago.

Collection Holdings (Box 5)

  • 1 copy unbound manuscript photocopy
W.XII.28

Short Prelude in Canonic Style: on Herzlich tut mich verlangen

For Org.

Composed c.1973. Tune also set as "Entrust Your Days and Burdens" (XII.8, above).

Collection Holdings (Box 5)

  • 1 copy unbound manuscript photocopy
W.XII.29

Stricken, Smitten, and Afflicted

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 8: Lent; Herbert Gotsch, ed., 1982.

Composed in 1980. Setting of the tune O mein Jesu, ich muss sterben. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound manuscript photocopy
  • 1 copy published photocopy (published copy with XII.16, above)
W.XII.30

Take Thou My Hands and Lead Me

For Org.
St. Louis, MO: Concordia Publishing House, in The Parish Organist, Part 9: Wedding Music; Thomas Gieschen, ed., 1962.

Composed in 1962. Also set in D major (XII.30.ii, below). Setting of the tune So nimm denn meine Hande.

Collection Holdings (Box 5)

  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.30.ii

Lord, Take My Hand and Lead Me

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 38: General; Richard Hillert, ed., 1986.

Composed in 1962 in E-flat major (XII.30, above). Reset in D major with intonation by Richard Hillert in 1986. Setting of the tune So nimm denn meine Hande.

Collection Holdings (Box 5)

  • 1 copy published copy, in collection
W.XII.31

Three Tricinia Settings of Chorale Preludes in Canonic Style

Originally titled Two Tricinia Settings of Chorale Preludes in Canonic Style
For Org.

Composed in 1957. Third prelude added in 1983.

Movements:

  • I - O Lamm Gottes
  • II - O Welt, ich muss dich lassen
  • III - Christ ist erstanden

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript, first and second preludes
  • 1 copy manuscript photocopy, third prelude
W.XII.32

Variations on Creator of Infinities

For Org.
Minneapolis, MN: Augsburg Fortress Publishers, 1979. Copyright reassigned to composer.

Composed in 1979.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy unbound original working manuscript
  • 1 copy published copy, in collection
W.XII.33

We Praise You, Lord

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 16: Baptism/Holy Communion; Herbert Gotsch, ed., 1983.

Composed in 1983. Setting of the tune St. Magnus. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.34

We Worship You, O God of Might

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 40: General; Richard Hillert, ed., 1986.

Composed in 1985. Setting of the tune Vi lova dig, o store Gud. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy published copy, in collection
W.XII.35

When Morning Gilds the Skies

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 35: General; Richard Hillert, ed., 1985.

Composed in 1985. Setting of the tune O Seigneur. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy published photocopy
  • 1 copy published copy, in collection
W.XII.36

Your Kingdom Come, O Father

For Org.
St. Louis, MO: Concordia Publishing House, in The Concordia Hymn Prelude Series, Volume 33: General; Richard Hillert, ed., 1985.

Composed in 1985. Setting of the tune Noornarkku. Includes intonation.

Collection Holdings (Box 5)

  • 1 copy unbound original manuscript
  • 1 copy unbound manuscript photocopy
  • 1 copy published copy, in collection